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Scroll below to see the Standard Grading Scale for comic books, magazines, concert posters … comic book ratings. Courses Details: CGC uses a standard point grading scale to grade comic books.

VF Very Fine. FN Fine. VG Very Good. GD Good. The physical structure characters and storylines from title to title. Patrick ; Foster 15; Bentley writers, usually appearing on the first page , narrative box, word and Stone ; Stone The bans on general information about the comic book, such as publisher, title new continuing titles were lifted and printing materials became and issue number.

Overstreet and Blumberg American comics concerned with issues of longevity than others. Early comic books printed this way included the popular Superman, first published were printed using the same processes used for newspapers and in Australia in Even Australian-made comics gradually declined.

Those that flourished when comic books became collectible, the general mechanism of were usually heavily influenced by their American counterparts production remained the same. Large comic book companies such — for example, publishers insisted that Captain Justice, originally as DC and Marvel still use cheap papers, even though they are fully intended to be set during the Australian gold rush, was changed to aware of the collectible nature of their work — so much so that an American Wild West setting.

Patrick ; Foster However, there are recent signs of independent comic book publisher. Mimeograph machines were still their work. The increasing popularity of Japanese manga and anime being manufactured as late as ; photocopiers are still a popular has also helped to revive the Australian comic book industry. Older items, of a number of available printing methods, including electrostatic however, were more problematic.

Papers had become yellow and or laser printing, inkjet printing or offset techniques Dowd brittle, and edge tears and small losses were common. The spine of ; Dowd and Reinert Some artists even use traditional the comic book had generally experienced the most damage, such letterpress, intaglio, screenprint or planographic printing methods to as splits along the spine fold, tears and losses around staples, and produce their works, with hand-coloured or collage additions.

In addition, staples were often The focus on cheapness is changing, however, with modern comic rusted, broken, missing or misaligned, making it difficult to open the book artists often more concerned with achieving a particular comic fully without risking the integrity of internal pages.

Ord works and curiously bright yellow foxing. It was felt that many of these closely with her printer to find methods to produce a suitable depth older collection items required treatment in order to stabilise them of black.

For Nosebleed, Ord also experimented with a high-gloss for exhibition and future use as a reference collection. Others and Tracey Heft, of Eclipse Paper. Opinions posted on various online e. The oldest possibly even less than those in a poorer but unrestored condition.

In the eighties, when the commercial still-white paper and unmarked and undamaged pages. Occasionally, value of comic books began to increase dramatically, many restorers glossy surfaces especially blacks had been marked by fingerprints. The colours may be faded, and the extensive repairs that may have included replacement and inpainting paper discoloured but not brittle. The spine may be distorted, the of large sections or substituting damaged pages with others from staples may have rusted and the centrefold may be loose or partially copies of the same comic.

These buyers found that the actual value detached. Assessing and describing the condition of any item is always a Inconsistent use of terms such as preservation, restoration and subjective affair. Blumberg Pedigree chew, abbreviated to BC or BUG; tears and splits are sealed; items collections are those that belonged to personages of note; for this are pressed rather than flattened; browning is used to indicate reason, it may not be appropriate to remove inscriptions and initials paper discolouration.

Other terms include dust shadow to indicate from comic books. First published in , have more serious condition problems Morrison The Grading Scale ranges from a score of Despite some calls to adopt the definitions put forward add non-original material.

The edition also includes a new by organisations such as the American Institute for Conservation term in the glossary: conservation. Zaid What would you is whether the comic book community desires to create a different include and not include? What, if any, forms of restoration are understanding for the term restoration, particularly setting itself acceptable to you?

And why? And under what circumstances? Let us know what you think! Reconstruction is precisely why a person may have decided to restore or conserve defined as where significant amounts of new material have been a comic after the fact, so to make statements about hypothetical added — for example, a large portion of the cover or an interior motivations is a moot point. The relationship between conservation page may have been reconstructed, recoloured or assembled from work and commercial value obviously changes with time and personal pieces of other lower-grade examples.

Currently, the industry appears to update its definitions called reconstruction Overstreet and Blumberg Paper conservators to blur the lines between conservation and restoration, clouding the are generally quite comfortable discarding original fasteners, issues and confusing everyone. Often alternate fastening solutions are imposed, such as stitching a pamphlet together using the original staples holes.

Pressing appears to be one of the most controversial treatments However, replacing the staples with stitching would be unacceptable applied to comic books. The term generally appears to indicate to most collectors, as it changes the original format and appearance flattening carried out using a dry mounting press, rather than a of the book, and the commercial value of the comic would be humidification treatment, and is often carried out to remove small reduced accordingly.

Often, the book is pressed while still bound. While this treatment can be There are, of course, divergent opinions on this matter within the performed safely and successfully, some restorers will use too industry. Many collectors feel that pressing is a restoration treatment and should be disclosed to future buyers, especially as removing slight Conservators Cicconi and Heft will remove staples if they are too defects can greatly increase its value; some are concerned that corroded, tending to replace them with staples of a similar vintage pressing damages the comic in some way.

Others feel that, as when work is performed for collectors. Cicconi pers. Star Wars View All. Andor Trailer. Mandalorian S3. Cover Art Categories View All. Spider-Man 1. Classic Sci-Fi. Inspired Covers. Reading Orders View All. Annihilation Wars. Age of Apocalypse. Death of Superman. Character Variants View All. Nova Variants. Silk Variants. Transformers Variants. Independent Comics View All. You can read more about what we consider a Key on our FAQ page.

As a collector, I feel it’s a must have for the smallest collectors to the fanatics like myself. I had a few issues when 1st using the app, contacted support. One day later I received an email from the actual developer not a typical auto response. I’ve never seen that before. Received the best cust. I’ve ever gotten. Constant communication and troubleshooting while remaining extremely patient and polite.

App works flawlessly now on all my devices. Ratings and Reviews. App Privacy. Information Seller Jim Kovachik. Size Category Utilities.


Comic Book Grading Scale Courses


I wish I would’ve gotten sooner. June 23, Paid a while ago for this app. Bets decision I ever made. All of my books cataloged and accounted for. Barcode scanner makes it so easy to add any new additions. Worth it! This app saved me tons of time from having to create spreadsheets to keep track of my collection, for me my family to keep them seperate from each other.

I like the updates and progress that happens with the app. Plus, I can add manually for books thay aren’t in the database. Keep up the good work and keep updating and changing with the times an the app will outlive me. June 20, Easy to track your collection. June 19, Easy to use! Highly recommend! June 18, Overall the best I have seen for cataloging my comics. Two words: love it. June 16, Awesome app! Really helps you keep up with the different volumes of comics.

As companies keep renumbering titles. Allows you to enter price you paid for the books and dates. Definitely worth buying.

I downloaded this app to catalog my large comic collection. The first week was free. Within two days, I knew I was going to subscribe. This app is so much easier and nicer than the unwieldy Google Sheet i was using.

Even when i screw up entering books, it’s easy to fix. June 15, Have been using CLZ from their first version on desktop, and now in iOS too, very very amazing apps to cataloging our comics collection, worth every penny, and it keeps getting better each update. Also the customer service are the best, very fast to reply and very helpful. Thank you very much. June 14, This app is amazing and the support staff is friendly and on point.

My minor issue was resolved right away. June 13, Excellent I love this app, developers are always improving, It just keep getting better. Such a helpful app. Name grades are printed in black ink on clear gloss see-through labels that are easy-peel, adhere and fit over the numerical graded square area of the CGC, CBCS and PGX slabbed comic book to match, so it doesn’t obscure the numerical grade. What’s Mario Up To? Most of you know I love to hear about side projects my Premium Subscribers are working on, and try to help promote them when it feels right.

One member, mbruni, created those grading labels I like so much several years ago, and he also published in , the 4-issue Mars Attacks Mini Comic Book series, that shows the current market value on the Nostomania website. This change I assume was made so buyers could identify the grade of for-sale items at shows from a distance at trade shows or in the shop. For some reason with this change the grading services dropped the grade name. Personally and on the Nostomania website, I always include both grade name and number when referring to an item.

For all slabbed coins, this is still the norm. Mario believes that instead of just “9. Choose your grade level sheets and quantity: High, Mid or Low Grade. T he actual size of transparent name label measures 1. FROM Choose from pull down menus below for pre-labeled boards. And you can choose your era size backing boards from golden age, silver age, modern age and Treasury book backing boards. Choose from Gem Mint Here is a more cost effective way to give your comics a raw grade with the category flexability of checking off the grade box.

Each pack comes with pre printed labels that have a complete grading range from the left column 0. Each label peels off with ease so you can apply it onto the top of the backing board with no obstruction to the cover.

Labels fit all era backing boards. Futhermore, once the book is sealed and placed in the box, you can NOW quickly determine the grades of each comic quickly. A very effect way to keep track of your collection! Now Available:. Or by appointment. Prior to the internet collectors had to purchase their comics either directly from comic dealers at conventions, retail stores, through private transactions, or through mail-order catalogs.

In some instances comics that were once viewed as scarce or rare on a local level are now more readily available via the internet. Today, online comic auctions and consignment sites allow comics to be offered and have a more significant presence with a larger pool of potential buyers.

Note that the marketability of any comic book can change based on time, the popularity of the character or characters, collector demand, etc. Restoration is the treatment that returns a comic book to a known or assumed state through the addition of non-original material for aesthetic enhancement.

For more information on restoration click here. The best possible existing condition of a comic book. A near perfect book. It is very rare especially in older comic books pre to discover a comic in either Mint or Gem Mint condition. Books in this condition pre are virtually non-existent. An extremely exceptional comic with only very minute printing or bindery defects. The books cover is flat and without surface wear.

No autographs or writing is allowed on either the cover or interior pages. Cover inks are exceptionally bright with high gloss. The books corners are perfectly square and sharp. Interior pages must be white in color and supple to the touch. This comic is definitely a well-read copy, but can still be a very desirable copy. Good is really a misnomer, but represents a comic that is still readable with numerous defects.

This book has seen much better days and tends to be heavily worn and tattered. It has major defects to the point that there is almost no collector value. This designation is only used for the purpose of authentication. Numerous collectors and comic fans will purchase coverless comics to either read or to obtain a filler copy of a book for their collection.

Coverless books will typically sell for a percentage of the good condition value. Rare and key comic books that are coverless in many cases may sell for a percentage of guide value depending on the specific comic title and issue number. Typically lower then the. CPG has researched the definitions and terminology used in our hobby and determined that CGC’s standards on restoration are the most concise and the mainstay of the hobby. With the permission of CGC we are using their standards.

Repairing comic books has been around in our hobby since the first comics were sold to the public. It is natural for people to want their books to look as new as possible or to remain intact so that they can continue to be read. Early in fandom history, simple and crude repairs were performed by the owner of the comic for these reasons. For example, a couple of pieces of tape were used to hold on the cover, a dab of Dad’s wood glue was used to close a tear, some crayon made the cover look better, etc.

As the hobby grew and comics became more expensive, the need to define and describe various repairs became apparent. Some repairs remained acceptable to collectors and were “grandfathered,” such as tape.

Most repairs, however, were defined as restoration. Restoration can be broken down into two main types: treatments intended to prolong the existence of the comic book and treatments done for aesthetics. Both types of restoration involve the introduction of non-original material to create or facilitate a desired effect. Color touch. Using pigment to hide color flecks, color flakes, and larger areas of missing color. Examples of pigments may include paint acrylic, oil, watercolor, etc.

Color touch is sometimes called inpainting. Pieces added piece replacement. Added pieces to replace areas of missing paper. Piece replacement material can be non-original paper such as wood or cotton fiber papers, married from a donor comic book, or color-copied pieces. This process is sometimes called infilling. Tear seals. Sealing a tear using an adhesive. An adhesive may be cellulose, chemical, or protein-based glues as well as anything that acts as an adhesive, such as saliva.


Comic book collector grading free download.Comic Book Grading Guide and Cheat Sheet

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