– Recording tips logic pro x free
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How to Organize Your Logic Pro X Sessions Like a Pro.
Logic Pro X has lots of really cool built-in software instruments of all types, from percussion and drum loops to vintage synthesizers and samplers. Depending on your musical style and if you have previous experience playing piano or keyboards, you might want something with 61 or 88 keys, or you might prefer something smaller and more portable. If you want the feel of a real piano, look for a MIDI controller keyboard that has weighted keys.
However you choose to connect, Logic Pro X will recognize that you have a MIDI device connected and allow you to assign any instrument you want to that device. The great thing about recording with a computer is that unlike tape, if you make a mistake you can just delete it and try again.
It is suitable both for professionals and beginners. It all depends on what kind of equipment you have. If you want to try all the features of the built-in Logic plugins, record your guitar with the available presets.
If you want a clean signal, record with Audio and then reamp with your favorite plugin. Or, of course, you can record guitar directly into your 3-rd party amp sim. This DAW is also ideal for more experienced musicians and producers who want to capture the sound of a particular guitar amp and cabinet.
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When you buy with our links, we may earn a commission. Learn more. Regardless of who is mastering your tracks, there are a couple of important things to have tied up before you commit your track to the mastering phase.
This is an important tenet of mixing — leaving headroom for mastering. The truth is that like mixing, mastering, can also be done in any DAW, so long as you have access to a few important tools. This 6 step guide will give you everything you need to start mastering in Logic, but remember, at the end of the day this is a creative endeavour.
So, by no means should you stick to the rules. That said, certain aspects of mastering will help get your mixes to that next level, so rest assured you still have some room to work.
Import your finished mix or mixes to a new audio track in Logic, accompanied by 3 different reference tracks. Listen and compare the 4 tracks, and make a few notes literally write them down :. Create a new audio track and load up 3 instances of Match EQ on it one for each of your reference tracks. Hit F to bring up the Project Browser on the right hand side, giving you access to your 4 audio tracks. Drag your mix file onto the Current tab in Match EQ, and one of the reference tracks onto the Reference tab.
Then, on the EQ Curve, hit Match. The plugin will create an EQ curve that visually demonstrates the differences in frequency spectrum between your mix, and your reference. Now go ahead and do the same for the other 2 references, using the other 2 instances of Match EQ. For example, it appears our mix has quite a few challenges in the low end. Compared to the references, we have a lot of energy around 80Hz, and not a lot in the Hz range.
Our mix also appears to be lacking a lot of high end, dropping off significantly around 12kHz. Start by placing the locators from a little before you want the track to start slowing down, and ending where you want the clip to end. Next, bounce the track as you normally would. Disable any bus processing since this mix will be played in your session and thus would otherwise be going through the bus processing twice.
You could use Bounce In Place at this point but, depending on what plug-ins you are using and where, the results may vary. Mute the regions you just bounced. Import the audio from your Bounces folder or the Project Audio List and place it in its original spot a tip on this is coming up. Select OK. Logic will create a track with a new EXS24 instrument. When you hit the trigger key that you chose, you should hear the portion of the song you originally selected. Mute the bounced audio, open the EXS24 instrument, and change the pitch-bend range to Now you can slow down your track with the Pitch-Bend wheel, and perform it to taste.